Every year since 2008, the Budapest Festival Orchestra and Müpa Budapest have put on an all-day marathon production presenting the very best work of a given composer, with a series of consecutive concerts from morning until late evening in the Béla Bartók National Concert Hall and the Festival Theatre.
Ön egy múltbeli eseményre keresett rá. Kérjük, válogasson aktuális kínálatunkból a Jegy.hu keresőjében!
Last event date: Sunday, February 02 2020 10:30AM
Conductor: Máté Hámori
Featuring:
Júlia Pusker - violin
Program:
Beethoven: Romance for Violin and Orchestra No. 2 in F major, op. 50
Beethoven: Symphony No. 1 in C major, op. 21
Every year since 2008, the Budapest Festival Orchestra and Müpa Budapest have put on an all-day marathon production presenting the very best work of a given composer, with a series of consecutive concerts from morning until late evening in the Béla Bartók National Concert Hall and the Festival Theatre. After marathons of Tchaikovsky, Dvořák, Beethoven, Schubert, Mozart, Bartók, Bach, Stravinsky, Mendelssohn and Schumann, Brahms, Bernstein and American music, Debussy and Ravel, the chosen composer is once again Beethoven. His incomparably rich artistic career easily provides enough performance material for 2020 too, a year when the whole world will commemorate the 250th anniversary of his birth. Students of the Liszt Academy of Music will perform free concerts in the Glass Hall, while memorable performances will be brought to life on the screen in the Auditorium.
Artistic director: Iván Fischer.
Artistic director and director-choreographer Balázs Vincze is very familiar with the tastes of dance aficionados partial to the traditions of bourgeois theatre and is superb at adapting familiar and popular literary classics to the dance stage. His wonderful sense of proportion enables audiences to follow plots in the language of dance. His contemporary choreographies built on classical foundations are unique, spectacular and of a high professional calibre without losing sight of the need to please the audience.
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