Although the orchestra (true to its name) officially considers the music of the second half of the 18th century to be its core repertoire, it does not necessarily treat this as an iron-clad rule. At Müpa Budapest's Early Music Festival, for example, they will play several instrumental pieces of remarkable beauty by Bach, the master who embodies the Baroque period. more
Ön egy múltbeli eseményre keresett rá. Kérjük, válogasson aktuális kínálatunkból a Jegy.hu keresőjében!
Last event date: Friday, February 28 2020 7:30PM
28 February 2020, Friday
7:30 pm — 10 pm
J. S. Bach: Sinfonia from the cantata Am Abend aber desselbigen Sabbats, BWV 42
J. S. Bach: Concerto for Three Violins in D minor, BWV 1063 (transcribed by Huw Daniel)
J. S. Bach: Concerto for Oboe and Violin in C minor, BWV 1060
J. S. Bach: Orchestral Suite No. 1 in C major, BWV 1066
J. S. Bach: Concerto for Two Violins in D minor, BWV 1043
In 1986, a group of British historical musicians founded an orchestra, but refrained from hiring a principal music director: they would take charge of running the ensemble themselves. Of course, somebody has to lead the music, and three violinists take responsibility for this - taking turns with each other. And some people say that there is no room for democracy in an orchestra!
It is no coincidence that the Orchestra of the Age of Enlightenment was such a self-aware ensemble from its very beginning: it very swiftly began to gain exceptional prestige for itself. This is indicated by a partial list of their collaborators over the past decades: Frans Brüggen, Gustav Leonhardt, Christopher Hogwood, Charles Mackerras, René Jacobs, Roger Norrington, William Christie, Philippe Herreweghe, Robin Ticciati, Yannick Nézet-Séguin - just a few of their renowned partners, both active and deceased. There is also a narrower group of musicians who work with the orchestra: these are the ones who merit the honorary title 'principal artist'. We Hungarians can take pride in the fact that this circle includes Iván Fischer and András Schiff alongside the likes of Simon Rattle, Vladimir Jurowski, Mark Elder and John Butt. We can be especially proud that one of the three violinists rotating to lead the orchestras - alongside Margaret Faultless, who will lead the Budapest concert, and Matthew Truscott - is one Kati Debretzeni.
Although the orchestra (true to its name) officially considers the music of the second half of the 18th century to be its core repertoire, it does not necessarily treat this as an iron-clad rule. At Müpa Budapest's Early Music Festival, for example, they will play several instrumental pieces of remarkable beauty by Bach, the master who embodies the Baroque period.
Featuring:
violin Margaret Faultless (Orchestra leader), Daniel Huw
oboe Katharina Spreckelsen
Artistic director and director-choreographer Balázs Vincze is very familiar with the tastes of dance aficionados partial to the traditions of bourgeois theatre and is superb at adapting familiar and popular literary classics to the dance stage. His wonderful sense of proportion enables audiences to follow plots in the language of dance. His contemporary choreographies built on classical foundations are unique, spectacular and of a high professional calibre without losing sight of the need to please the audience.
Rudi van Dantzig – Toer van Schayk / Pyotr Ilyich Tchaikovsky SWAN LAKE Classical ballet in three acts
Dumaszínház est
A muzsika hangja a zenés színházi irodalom egyik legsikeresebb darabja, amelyből világhírű film is született, a benne szereplő dalok pedig…
Szophoklész: Oidipusz király című drámája nyomán írta: Pintér Béla
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