In addition to rich baritone vocals, organ, balafon, cornet, zither, and a host of percussion instruments, LaMar Gay also contributes some fantastically sharp songwriting on Open Arms, such as the gorgeously gloomy, minor-key dread of “Oh Great Be the Lake” and the grandiloquent “Aunt Lola and the Quail,” a wealth of ideas never coming at the expense of brevity.
Ön egy múltbeli eseményre keresett rá. Kérjük, válogasson aktuális kínálatunkból a Jegy.hu keresőjében!
Last event date: Saturday, October 29 2022 8:00PM
Ben Lamar Gay Ensemble (US)
Featuring:
Ben LaMar Gay - cornet, synth, vocals
Will Faber - guitar, vocals
Matt Davis - tuba, vocals
Tommaso Moretti - drums
Ben LaMar Gay’s musical loves range far and wide. Steeped in the blues of his hometown of Chicago and an integral figure in his local jazz community, the cornetist and composer embraces a wide range of music, sounding it all through his horn across his vibrant, mercurial songs. His latest album, Open Arms to Open Us leaps across all sorts of portals, dipping into the dawn of jazz right on through its vibrant present moment, with glints of woozy hip-hop, Prince-ly funk, wordless ululations, Tropicália and gospel yips thrown in for good measure.
Open Arms to Open Us sounds simultaneously like everything and nothing, bringing to mind Bitches Brew, hip-hop, New York experimental math rockers Battles, Kid A, raga, samba, free jazz, D’Angelo, and the chipmunk-ed vocals employed by rave producers. But in its conglomerate totality, the album is too multifarious to bear more than a passing resemblance to any of the above. It’s a remarkable piece of musical pathfinding, sprawling in its ambition and surprisingly precise in its attack, an album where a zither jam (“Nyuzura,” featuring British-Rwandan singer Dorothée Munyaneza) gives way to triangle-assisted drone (“Slightly Before the Dawn”), which then cedes the floor to hip-hop tuba bounce (“Dress Me in New Love”).
LaMar Gay’s vision of musical “Pan-Americana”—reaching beyond the sawdust and spit image of classical Americana to include North and South American culture—binds the project together. In addition to rich baritone vocals, organ, balafon, cornet, zither, and a host of percussion instruments, LaMar Gay also contributes some fantastically sharp songwriting on Open Arms, such as the gorgeously gloomy, minor-key dread of “Oh Great Be the Lake” and the grandiloquent “Aunt Lola and the Quail,” a wealth of ideas never coming at the expense of brevity.
Table reservations are automatically added during ticket purchase.
Please note that if you purchase an odd number of seats, you might have to share the table with others, especially if the concert is sold out.
For the best dining experience please arrive around 7pm.
We hold reservations until 8pm.
It was in 1982 that the experimentally minded American director Godfrey Reggio created his film Koyaanisqatsi, which went on to gain cult status among audiences receptive to new concepts.
Kelemen Barnabás évtizedek óta a magyar és a nemzetközi zeneélet ünnepelt művésze, aki szólistaként és kamaramuzsikusként világszerte sikereket arat. Számos verseny győztese, játékát díjnyertes hanglemezek - köztük a Bartók Új Sorozat CD-i - örökítették meg.
1905. Elárverezik a párizsi Operaház teljes hajdani berendezéseit. Többek között egy csillárt, amely a kikiáltó szerint egy máig sem tisztázott baleset okozója volt. A baleset tetteseként az Operaház titokzatos Fantomját emlegették.
Gyere el! Nem fogsz megváltozni, de lesz a darabban egy-két hozzád hasonló figura. Talán még azt is megtudod, hogy miért…
"A three-course gourmet menu" was how the Bachtrack critic described Paavo Järvi's concert, which featured pieces by Sibelius, Tüür and…
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