The concert programme also includes the composition Erzsébet Szőnyi wrote in 1947 on a poem by Lajos Kassák, whose performance was not supported for a long time by the cultural authorities of the period.
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Last event date: Sunday, October 20 2019 7:30PM
Mini-Festival • 4.4
László Dubrovay: Három tétel trombitára és ütőhangszerekre (Three Movements for Trumpet and Percussion) – Hungarian premiere
Péter Tornyai: fiori sfiorati (b) – world premiere
Gyula Bánkövi: Vízjelek (Watermarks) – world premiere
Péter Eötvös: Sentimental
Sándor Szokolay: Missa Brevis per coro maschile
Máté Hollós: Szilencium (Silence – on Lajos Áprily’s poem)
Márton Levente Horváth: O vos omnes
Erzsébet Szőnyi: Sicut cervus
Erzsébet Szőnyi: Külvárosi elégia (Suburban Elegy – on Lajos Kassák’s poem)
Boldizsár Csiky: Moxa genezis (in memoriam Sándor Kőrösi Csoma)
László Sáry: Zsoltárkánon (Psalm Canon)
Featuring: László Pólus [2, 3] – cello, Gábor Varga [2] – clarinet, Tamás Pálfalvi [1, 4] – trumpet, György Halmschlager [1], Zoltán Mihály Varga [2, 3] – percussions, Saint Ephraim Male Choir (choirmaster: Tamás Bubnó) [5, 6, 7, 8, 9, 10, 11]
The Hungarian Music Society organized its first series of concerts in contemporary music, the Mini-Festival in 1989. Founder Zsolt Durkó sought to create a forum for foreign and Hungarian works that represent different approaches but are consistently of a high artistic quality. Every year, the festival seeks to enable the premieres of pieces written for larger ensembles, choirs or orchestras.
In the second part of the concert, the Saint Ephraim Male Choir will perform a selection of contemporary choral works in the most diverse styles. Originally written for the Male Choir of Sofia, Sándor Szokolay’s mass was first performed in Hungary after 35 years in May 2019, with Tamás Bubnó conducting.
The concert programme also includes the composition Erzsébet Szőnyi wrote in 1947 on a poem by Lajos Kassák, whose performance was not supported for a long time by the cultural authorities of the period.
An event jointly organized with Hungarian Music Society.
The world-famous Dutch harpsichordist, organist and conductor Ton Koopman, one of the most significant representatives of the international practice of the historically informed performance of early music, turns 80 this October.
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This full-evening "crime story" of a dance drama takes as its starting point Barcsai's Lover, one of the most estimable of Hungary's balladic treasures. After cuckolding her husband, a wife awaits a terrible punishment. But how did things actually get to this point?
After earning tremendous critical and popular acclaim at last year's Edinburgh Fringe Festival, IMA is returning to Müpa Budapest, again…
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Minden idők egyik legkedveltebb romantikus története, az ikonikus film sikeréhez méltó, musicalként születik újjá a Madách Színház színpadán.
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