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Richard Strauss Marathon: Budapest Festival Orchestra
Program:
R. Strauss: Four Last Songs
R. Strauss: Also sprach Zarathustra, Op. 30
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Nincs aktuális előadás
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Last event date: Saturday, January 22 2022 9:00PM
Richard Strauss Marathon: Budapest Festival Orchestra
Every year since 2008, the Budapest Festival Orchestra and Müpa Budapest have put on an all-day marathon production presenting the very best work of a given composer, with a series of consecutive concerts from morning until late evening at the Béla Bartók National Concert Hall and the Festival Theatre. After marathons centred on Tchaikovsky, Dvořák, Beethoven, Schubert, Mozart, Bartók, Bach, Stravinsky, Mendelssohn and Schumann, Brahms, Bernstein and the music of America, Debussy and Ravel, and then Beethoven again, and with the Liszt and Berlioz marathon held online owing to the coronavirus, this season the spotlight will focus on Richard Strauss. The German composer's long and remarkable career spanned from the second half of the 19th century to the middle of the 20th, and he impacted the development of modern music, including the early efforts of Béla Bartók, with both his operas and symphonic poems. The list of performers will once again consist of outstanding soloists, chamber ensembles and orchestras from the Hungarian music scene. In addition, students from the Liszt Academy are looking forward to welcoming visitors to their free concerts in the Glass Hall, while memorable performances will be shown on the screen in the Auditorium.
The artistic director of the series is Iván Fischer.
Conductor: Iván Fischer
Featuring:
soprano: Eleanor Lyons
Presented by: Budapest Festival Orchestra, Müpa Budapest
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a Kultúrbrigád és az Átrium előadása
Az Őrült Nők Ketrece egy olyan hely, ahol mindenki az lehet, aki. Vagy épp az, aki lenni akar. De ha muszáj másnak mutatnod magad, mint aki vagy? Hit, remény, szeretet, munka, család, haza, tegnap, ma, holnap, én, te – és ketten együtt.
Artistic director and director-choreographer Balázs Vincze is very familiar with the tastes of dance aficionados partial to the traditions of bourgeois theatre and is superb at adapting familiar and popular literary classics to the dance stage. His wonderful sense of proportion enables audiences to follow plots in the language of dance. His contemporary choreographies built on classical foundations are unique, spectacular and of a high professional calibre without losing sight of the need to please the audience.
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